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Ben Woestenburg's avatar

I want to start off by saying right from the get-go, that I LOVE it here on Substack. I'm retired, so I've got a lot of time to play around, screw up, and figure things out. I worked in a blue-collar job all of my life. I had one job. I started it when I was 19, and recently retired. I didn't always have access to a computer, and when I finally got one, I didn't have the finances to take classes to help me figure out how to use the damn thing. I started on WORD 2, and worked my way up. Then I got a Mac, and had to start all over again.

So I'm not very tech savvy, which has actually worked out for me. All I knew how to do was write the stories I write. I didn't Blog, because I worked swing shift and couldn't commit to it. Besides, it didn't interest me. I write fiction. Period. I'm not an essayist. I leave that to everyone else.

So when I came to Substack a year and a half ago, it was still pretty new itself. I've grown with it, you could say. I learned how to use NOTES; ditched the idea of CHAT; embraced Recommendations and Cross-posting. I sit back and listen to people complain that Substack doesn't do this and doesn't have that, and shrug my shoulders. I don't know what half that shit is they're complaining about. All I know is that I can put my stories up, and not have to worry about how long they are. That's always been a problem, bringing a story in under the recommended word length. I like long "Alice Munro" type stories. Who doesn't? And if you don't, you don't have to sign up with me.

But I love SUBSTACK. For all the faults it may have, it has just as many opportunities. I never made a dime in all the time that I've been writing. Anything I've published, was on one of those "Free" sites. I thought it was just a stepping stone on my way up to getting paid. Now, I have people actually paying me so they can read my stuff. It's not a lot; but it could be. I don't worry about it. I don't market myself. I just write my stories and put them on my 'Stack, and if you want to read them, fine. If you don't, that's fine too.

I believe, and have always believed, that if the quality of writing is there, people will come. It might take time, but hey, I've got some of that. At 65, I probably have about 20 years to make something of myself; 25 if I take care of myself. I might have approached things differently if I was 30, or 40, but I'm not. So I just write my stories, support those I can, and hope people will read me, and after reading, support me because they feel I've earned it. I've dropped my yearly SUBSCRIPTION rate down to $30 (Can), and plan to leave it there.

I don't have a lot of subscribers. I'm sitting at 420...why does that number sound so familiar? I've got 16 PAID. So I'm making money! Me! I'm now a professional writer. And all I have to do is write, which is something I've always done. I get to reinvent myself into the person I've always dreamed I would be...a writer. SUBSTACK gave that to. They want to take 10%? I was making nothing before I got here. They can, because as a labourer all my life, the fact they pay their staff about $56/hour is awesome!

So while it may have it's problems, I just look at them as growing pains...hiccups.

I came here to write...

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Joshua Doležal's avatar

As Kristi says below, the thing that sets Substack apart is that it offers a unique space for writers, and particularly writers with a fairly refined sensibility (at least in my circles). And yet one of the core mythologies of the platform is that anyone can earn a primary income eventually. So the success stories that get trotted out make a lot of folks who came here originally just wanting to stop writing into the void at lit mags or other trade publications, and have some genuine interactions with readers, feel like they're failing somehow.

I spent part of last year flailing with this a bit, trying to find the lever that would nudge more free subscribers to upgrade, trying one ridiculously unsuccessful live workshop with a replay (I feel stupid just thinking about it) that led to ZERO upgrades and not a single purchase through the Stripe checkout link I created. I've promoted this thing on LinkedIn, too, where I have a decent following 3K+, and it's a quality course, but conversion has been bupkus.

So I'm learning that what draws people to me on Substack, and what drives upgrades, is quality content, typically offered for free, that makes people want to support me, personally. That is actually a welcome revelation, because it means that I can follow my original instincts of just WRITING, without trying to contort myself into a branding hustle that goes nowhere.

The windy upshot of all of this is that Substack does have a kind of messaging problem if it continues to frustrate writers that it explicitly drew to the platform for a different purpose than the one that continually gets flogged as the measure of success on the platform. For instance, I've been told that interviews don't do well in converting paid subscribers. But you know what they do well at? Building community, giving people meaningful life stories to connect to their own. I'm curious about people's lives, and so I harvest their stories, sometimes with practical goals for job seeking, etc, but sometimes not. And I'd like to continue doing that without trying to find the lever that makes me more money. Because the energy required to find that lever and the tedium of working it effectively week in and week out...that's not why I came to this platform.

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